Botticelli

Ritratto d'uomo con la medaglia di Cosimo il Vecchio 

1475

The purpose of inerrancy

for the image and the landscape of roman languages

is the pragmatism of abolitionism 

moved by homophonies to the freedom of the art  

reminding  beyond the mediterranean sea

an already ended experience of civilization 

at the sourcing of the same notional sight*

*the notional sight of an existential artwork is raised from the Seth lineage by Joseph as Jacob son when sold by his own brothers